Image courtesy of Warner Bros. |
"The Conjuring" was a well made and frightening horror movie that has led to one direct sequel, the first "Annabelle" picture and, now, this one - all in the past four years. In other words, this cinematic world is being milked for all it is worth. "Creation" is mostly unnecessary, but director David Sandberg has put a certain amount of craft and care into this prequel that make it slightly better than you might expect.
As the film opens, a young girl - you'll never guess her name - plays a game with her loving father (Anthony LaPaglia) and mother (Miranda Otto) in their creaky old home in the middle of nowhere. The date is never given, but I'd expect this intro is set at some point in the 1940s. But a tragedy befalls the family and - more than a decade later - the couple lives alone in the old house, which is now being used as an orphanage, where a young nun and a group of pre- and teenage girls will come to live. You'll never guess what happens next.
LaPaglia's character was once a doll maker and, naturally, one of his creations was the creepy glass eyed titular character, which has seemingly been possessed by a demon of some sort. This demon taunts the house's new denizens and eventually takes possession of one of them. Much time is spent by all creeping around in the dark - turn on the lights, for heaven's sake! - and walking into rooms where something spooky is obviously taking place. As I'd mentioned before - horror tropes.
There are a few set pieces that are particularly jarring, especially one involving a young girl atop a bunk bed who believes that something is lurking in her room. Sandberg shoots the sequence from a variety of angles, especially an effective overhead shot that reveals only a little at a time. There's another scene in a barn involving a scarecrow that is also creepy, but also - let's be honest - pretty silly.
There's a lot of screaming to be heard in "Annabelle: Creation" and some of it is likely coming from the audience. Things pop out not when you expect them to, but a few seconds later. The filmmakers toy with expectations and while it occasionally pays off, the same set-up becomes a little tiresome after a while. But I'll give credit where it's due - Sandberg's picture creeps along at its own pace and the suspense builds fairly well. Although I can't wholeheartedly give this picture my full endorsement, it's significantly better than its predecessor - "Annabelle" - and not half-bad for a standard horror movie prequel.
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