|Image courtesy of Open Road Films.|
Also, Snowden himself has said that in blowing the whistle on his discoveries that the Natural Security Agency (NSA) was spying on its own people was not intended to make the conversation all about himself - a charge that could, perhaps, be more easily leveled at Julian Assange - and yet Stone spends much of the picture doing exactly that, focusing on Snowden's romance with Lindsay Mills (Shailene Woodley), his declining well-being as a result of his discovery and so on.
The film also makes the mistake - in its finale - of portraying Russia as the munificent nation that has sheltered Snowden - a man calling for governmental transparency - when, in fact, that country's president is himself a former spymaster for the KGB who oversees a quasi-democracy with elements of totalitarianism. However, despite some obvious hero worship during the course of the film, it is accessible to those who either approve or disapprove of Snowden's actions (full disclosure: I agree with many of his beliefs about government surveillance, but am torn on how he conducted himself).
All of these criticisms aside, "Snowden" is a well-made political thriller, which should come as no surprise considering that Stone has long been a chronicler of U.S. history, from the 1960s to the present. And while "Snowden" isn't nearly as effective as "JFK" or "Nixon," for example, it does a pretty solid job of capturing the current mood: an era of terrorism paranoia, arguable governmental overreach, increased mistrust between nations and, especially in 2016, political unrest in the U.S.
Joseph Gordon Levitt captures Snowden's cadences and the supporting cast is very good, especially Rhys Ifans as Snowden's slippery CIA mentor, Nicolas Cage as a teacher who made a difference in the whistleblower's education and Zachary Quinto as Glenn Greenwald, the journalist who reported on Snowden's story - and was featured in "Citizenfour" - for The Guardian.
Stone's film may too faithfully rehash scenes from Poitras's documentary and not divulge much information to which we were not already privy due to "Citizenfour" as well as the numerous articles written on Snowden, but as a work of cinema it is effective enough. If you are not entirely familiar with Snowden's story and prefer feature filmmaking to documentaries (although I'd recommend you prioritize "Citizenfour" over this one), Stone's movie is a decent starting point for the uninitiated.